The Los Angeles based painter, David Eddington has adopted permanent change as his formal guiding principle: his work is an expression of parallel transitional periods in both Eastern and Western art history, and an open-ended evolution of both his personal technique and eclectic interests.

Paint is applied in a variety of ways; the pigment is mainly laid flat and opaque, other passages glow with a faint iridescence and may be translucent, showing the under-painting, building towards the final image. The painterly atmosphere enfolds the object in a softly obscuring embrace; at times it appears the last layer painted pushes forward and asserts itself, in a way that upsets perspectival and planar realism as a surge of expression washes over the picture.

Further information upon request.

http://davideddington.com/p9info.htm